Herzog's 'Bucking Fastard' Skips Cannes After Competition Rejection

Shonda Rhimes

Prolific television creator ("Grey's Anatomy," "Scandal") and author on creativity and empowerment.

Werner Herzog's latest cinematic endeavor, "Bucking Fastard," has notably declined an invitation to the prestigious Cannes Film Festival, a decision stemming from the festival's refusal to place the film in its main competition category. This move echoes a similar stance taken by director Jim Jarmusch in a prior year, highlighting a recurring tension between renowned filmmakers' expectations and the festival's selection criteria. The film, starring Rooney and Kate Mara, is described as an artistic exploration of an imaginary land, with the sisters delivering powerful performances that the production team believed warranted competitive recognition.

This situation underscores the importance of a competition slot for filmmakers seeking both critical acclaim and commercial viability. For Herzog, as with Jarmusch, participating outside the main competition was deemed insufficient to achieve the desired profile for the film's release and to secure returns for investors. The narrative around "Bucking Fastard" and its withdrawal from Cannes thus becomes a study in artistic integrity versus festival politics, reflecting broader discussions within the global film industry regarding power dynamics and strategic positioning at major international events.

The Cannes Controversy: Herzog's Bold Refusal

Werner Herzog's film, "Bucking Fastard," will not make its debut at the Cannes Film Festival, despite receiving an official invitation for selection. The core reason behind this decision lies in the festival's choice not to include Herzog's work in its highly coveted main competition lineup. This rejection of a competition slot was a critical factor for the film's creators, who held aspirations for their lead actresses, Rooney and Kate Mara, to be eligible for awards, given their reportedly compelling portrayals of twin sisters in the movie. The initial inclusion of "Bucking Fastard" in Cannes' preliminary announcements only added to the confusion surrounding its eventual withdrawal.

This incident reflects a broader sentiment among certain esteemed filmmakers regarding the significance of a competition slot at major festivals. For Herzog, known for his distinctive and often uncompromising artistic vision, participation outside the main competition was evidently not aligned with his expectations for the film's international premiere and its subsequent journey. The film's plot, which follows the Mara sisters as they embark on a quest for an idealized realm, was perceived by the filmmakers as deserving of the highest level of recognition offered by such a globally renowned event.

Echoes of the Past: Precedent Set by Jim Jarmusch

The decision by Werner Herzog to decline the Cannes invitation mirrors a similar episode involving director Jim Jarmusch and his film "Father Mother Sister Brother" in a previous year. Jarmusch had also chosen to withdraw his film from Cannes after it was offered a non-competition section, famously stating that, having made films for many years, a lesser slot was not appropriate for his work. He emphasized that a competition presence was crucial not for personal accolades, but for the film's visibility and commercial success, which directly impacts investor returns and future project funding. Jarmusch's film subsequently found critical and commercial triumph at the Venice Film Festival, where it secured the Golden Lion award and generated significant global revenue.

This historical precedent highlights a strategic understanding among veteran filmmakers of how festival placement can profoundly influence a film's trajectory. For "Bucking Fastard," the ensemble cast, which also features Orlando Bloom and Domhnall Gleeson, coupled with positive accounts from Kate Mara about the unique and "magical" experience of working with Herzog and her sister, underscores the artistic merit and potential of the production. The film's sales are being managed by HanWay and Gersh, who will now undoubtedly seek alternative, equally prestigious platforms to launch Herzog's latest work following its departure from the Cannes circuit.

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